My little piece of Privacy

robotic_curtain

This project by Niklas Roy is from 2010, so I’m a little late to the party, but I just love the simplicity with which it elicits audience interaction. No need for a big red button or instructions. If you just give people enough of a hook they will interact of their own accord. We’re intelligent inquisitive beings, I love when interactive art plays into that. If you let your audience discover things on their own, their sense of wonder will be much increased.

View the video and more below
Continue reading My little piece of Privacy

Ai Weiwei: Never Sorry

I was so glad to see this movie. I’ve been a fan of Ai Wei Wei, following all of his trials and tribulations. But I never knew much about his background, or weaved all of the separate stories I’ve known of him into a cohesive whole. This film did that excellently. Funny, poignant and just an excellent portrait of this man. Living and working in China, his artistic protests, coming from the heart, towards a better Chinese future, play out on the world’s stage.

Because of his fame, I was worried about pretentiousness or disingenuousness on his part and that his art was more about generating the fame, but quite the opposite was true. It felt like there were no pretenses in this film, just honesty. Ai Weiwei’s mom even makes an appearance.

Of course this is a political artist, and China is in the cross-hairs on the worlds stage, so filmmakers have a vested interest in making his plight look as real and genuine as possible. I’m not saying anything fishy is going on, but just as his art, this film is also political in nature. As such it may not be as critical or thoroughly in depth as it could be? just a thought.

I also hadn’t known this movie was a kickstarter project. I love kickstarter. About 10% of movies at sundance are kickstarter funded. so cool.

Digital Performance

I’ve often thought about how to bring digital effects to a live performance. What are the characteristics of something being digital and how to translate those ideas to something in front of a live audience. I think this certainly shows some of the possibilities. Really nicely done in that regard.

Joseph Beuys – Filz-TV (Felt TV) (1970)

I just love performance documentation. Though often it is nowhere close to experiencing the real thing. In fact, in my mind, the document is the performance’s antithesis. Still, I think this video gives you good wtf sense of the original but perhaps that’s because this document is the performance. According to artforum, “it is the only Beuys action executed specifically for the camera.”

(via neue-neue)