I’m not a fan of horses. I like the animal just fine but not really into horses in my art. But I just love these pieces by Debra Butterfield. My feelings compounded by the fact that they are in fact not made of driftwood as they look but instead cast in bronze. I think these look like a charcoal drawing rendered in 3d. Instantly recognizable as horse yet so minimal. True artistry. If you live in Chicago you can see one in person downtown in Seneca park just across from the MCA.
Not a Marvel super fan by any means. I watch them occasionally as a fun ride. I heard this show is good but I thought they meant for Marvel fans or even comic or super hero aficionados. I did not think they meant it is a good show period. In fact I kinda wished it was not a marvel thing at all because I enjoyed it so much. I loved the color palette. I loved the steep sci-fi angle. I loved the True Detective vibe? I even enjoyed the Marvel ability to not take oneself too seriously. I am also eagerly awaiting season 2 and I am so glad I took a chance on this show.
I feel like I have to write something about this for posterity. I simply don’t understand all the negative reviews of this movie/film. I’m no film scholar so perhaps there’s something I don’t understand, but I am a scholar or perhaps amateur enthusiast of art and art making. And I quite enjoyed this film or er movie. Christopher Nolan feels like an arteur director who is quite good and understanding the medium. To me film is a visual medium. I would venture to bet whatever genre Tarantino belongs to his followers would hate this film.
In any case I liken this movie to a visual ballet. I feel like Nolan was trying to see how tightly he could choreograph the various timelines and goings on forwards and backwards through time. How tightly can we edit. To further my thesis I feel like all of the “issues with sound” further support my theory that the exposition, dialogue are tangential pieces of the tapestry of a film the text of the script is not an integral part of the telling the story here.
UPDATE May 2 2023
Patrick Willems on Nebula and Youtube calls this a “VIBES” movie. This is the first super positive response I’ve seen to this movie published. For the most part I agree, I think Nolan is working a little harder than just the basics of the genre Willems is outlining but I can get on board with a VIBES explanation as a good way to go into a movie like this and how best to experience it.
see his video essay here (nebula) and here (youtube)
I enjoyed this unexpected gem. At first I was annoyed at apple tv + cramming shows down my throat. (Between this and Severance perhaps I should trust apple more?) The previews mostly annoyed me and the intrigue did not pull enough interest for me to pull the trigger right away. It took a couple of false starts but I finally gave it a go, I already had a subscription, and I’m glad I did.
I tremendously enjoyed watching the flawed characters doing spy work (i.e. digging through garbage) in a derelict building that is their office. Gary Oldman’s character, farting and not giving a fuck, and cutting down his team at every opportunity was surprisingly refreshing. And I enjoyed the contrast with Kristin Scott Thomas’ clean-cut, proper and prim, MI5 character in her shiny high-tech modern office building. She of course skirts the rules and plays the game just as much but sans the acknowledgment and perhaps with less self awareness? Flawed characters also doing shiny MI5 work, ups the ante and added a nice contrast. Saskia Reeves was another stand-out for me and her character gave a welcome Miss Marple vibe.
The meta storyline connecting the episodes into a season did not interest me at all. For me it was a backdrop for the personal drama and intrigue between the characters and I wish the show-runners did the same. Some of the twists and turns I enjoyed but more than a few were so unrealistic and writerly that they annoyed me and snapped me out of the realism of the show.
I could also do without the love story, and despite so much hullabaloo about the show focusing on outcasts there was still way too much screen time for the young white reasonably attractive male lead while the rest of his team spends multiple episodes sitting in a grungy restaurant. All or nothing, writers! They do give some lip service to that character getting a bit of a knock on his ego at the end of the season, but not enough to counter him being the lead for many scenes.
The setup for season two has me intrigued and I am excited to watch more when the show comes back. I know they won’t, but even more focus on the downtrodden deadbeats would be welcome. On second thought, most of them are are not that interesting, just give me more Gary Oldman and Saskia Reeves.