When I saw this at the MCA chicago this past weekend I was not aware that it is a re-enactment, re-creation, “re-activation” of a piece that was originally performed in 1965. I wish I could have seen the original, in it’s original time more than 40 years ago, as such I am grateful I was able to at least see a re-activated version. That would explain why it felt not entirely current, I felt like there was an element missing, but now I understand that feeling to simply be the result of watching a re-doing, instead of the original doing.
Even so, I thought they did a remarkable job of altering the space with their actions, movement and props. The stage was continually evolving and morphing, we were part of their collective reshaping/constructing, and each scene created a full powerful landscape complete with new inhabitants embodied by the dancers.
I think a classically trained ballet dancer would have a hard time seeing any dance at all, but it was perfect for me, despite the fact that it felt a little like an extended exercise. I think any re-enactment will always feel like that, but I will gladly take that in exchange for a chance to see something resurrected from the past I would otherwise not get to see.
november 5 – 8
museum of contemporary art
november 18 – 21
Dance Theater Workshop
New York, NY